Avatar is All Kinds of Awesome

Review in a Hurry: Believe the hype. James Cameron's decade-in-the-making sci-fi dream project is an immersive epic unlike any other. Yes, the story's pretty simple, but with so much else to take in, anything more complicated might have been tough to follow.

The Bigger Picture: Never count Cameron out. He may not be the actual king of the world, but in the realm of sci-fi action, he doesn't just rule, he reigns.

One-upping the kind of otherworldly landscapes George Lucas created for the Star Wars prequels, Avatar takes us to Pandora, a jungle-covered moon orbiting a gas giant, where human corporate interests seek out the rather stupidly named mineral "unobtainium." Hazards are plenty—the atmosphere isn't breathable by humans, all manner of six-legged beasts roam the forests and skies and the local humanoids, nine-foot-tall blue cat people called the Na'vi, are none too happy about their territory being encroached upon.

To that end, the Avatar program creates hybrid human-Na'vi bodies that people can download their consciousness into and better interact with the planet and its locals. But when one of the scientists trained for the program is murdered by a petty criminal, his less intellectual, battle-scarred twin brother Jake Sully (Sam Worthington), being the only DNA match for the expensive Avatar body, takes his place.

Though the science team, led by cigarette-puffing Dr. Augustine (Sigourney Weaver), have issues with Jake's general recklessness in his new skin, the Na'vi are impressed to finally meet a warrior, even one who's not quite of their caliber. Under the supervision of the chief's daughter Neytiri (Zoe Saldana), he learns their ways more intimately than any previous human—and gets particularly intimate with Neytiri herself.

This poses a dilemma, however, since Jake's actual assignment from the beginning has been to spy on the tribe on behalf of the Marines assigned to the mining project. With his loyalties torn between love and duty...well, you can guess the rest, and probably already have from the trailers.

Now, forget what you think you've seen via online videos or even theatrical 2D trailers—the visuals are realistic, fantastic and not remotely like Delgo, as early armchair pundits have been claiming (trust us, we actually sat through Delgo). Practically every Cameron sci-fi film has pushed the envelope of visual effects, and Avatar does so more than ever, from the vertiginous platform-game-style leaps across floating islands to a psychedelic night jungle that lights up underfoot like the sidewalk beneath Michael Jackson in "Billie Jean."

But it would be (mostly) for naught if the actors didn't compel, and thankfully, they do. As usual, Cameron casts based on the characters, not star power.